Tag Archives: Memory

Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film

How do we assess found footage that is employed as commentary when it is sometimes ambiguously that of the perpetrator? Continue reading

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1976: Haunted by 1968

I have spent much of the last few weeks drafting and re-drafting a chapter for a forthcoming edited collection on Memory and Trauma in Mexican Visual Culture, a project I am co-editing with Miriam Haddu. My chapter considers three films … Continue reading

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