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Traces of the Aftermath: Uses of the Perpetrator Archive in Mexican Film
How do we assess found footage that is employed as commentary when it is sometimes ambiguously that of the perpetrator? Continue reading →
Posted in Conflict in Mexican Film
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Tagged Canoa, corridos, documentary, Felipe Cazals, found footage, haunting, Jorge Ibargüengoitia, Los de abajo, Los Poquianchis, Memory, Servando González, spectral, Trauma
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